2hollis: boy Album Evaluate | Pitchfork

2hollis is a beloved fixture in a music scene with no title. What do you name a mash of Bladee, Chief Keef, Max Martin, Skrillex, and the Geometry Sprint laptop sport soundtrack, anyway? The 20-year-old, Los Angeles-based singer, rapper, and producer, whose actual title is Hollis Frazier Herndon, makes wildly processed industrial dance pop and rap: His pyrotechnic manufacturing is the stuff of a cooped-up prodigy whose thoughts can’t assist however transfer 1,000,000 miles an hour.

Early releases garnered a fervent web following, his sub-Reddit and Discord channel full of youngsters obsessing over his private historical past, manufacturing methods, and eerie aesthetic, which I can solely describe as Roscoe Sprint does medieval. His early content material, although, has been scrubbed from the web. Previous tasks and music movies now reside by way of aliases and alt accounts; scrapped Instagram tales and deleted tweets are archived on fan boards. His official pages embrace solely a sliver of his catalog, the few footage he shares of himself a number of extremely filtered headshots. He’s hardly executed any interviews, hardly ever posts on social media, and barely promotes his music. So why, on a distinct segment nook of the web, are youngsters calling him a messiah?

Hollis didn’t come out of nowhere. His mother, Kathryn Frazier, is the founding father of the PR agency Biz 3, whose roster contains the Weeknd, J. Cole, and Daft Punk. She additionally co-owns a file label with Skrillex, whereas his dad, John Herndon, was the drummer for Tortoise and releases solo music as A Grape Dope. Whereas Hollis has doubtless benefited from a life spent round musicians, his work feels most affected by web habit and multimedia fluency. It is likely to be tempting to peg him as simply one other child with bleach-blond hair importing iterative laptop music to SoundCloud—an offshoot of no matter it was we determined hyperpop meant. However Hollis’ newest full-length album, boy, establishes him as a remarkably distinctive, eagerly experimental savant whose sound by no means stalls or stagnates.

Earlier than his current pivot to industrial dance and electropop, Hollis’ music largely resembled that of Drain Gang stalwarts Yung Lean and Bladee, Swedish accent and all (though Hollis is from Chicago). Cloud rap suited him; his 2022 EP, As Inside, So With out, made with producer kimj, options a few of his greatest songs. Final 12 months, when he dropped 2, an electroclash home file, the swap at first felt stark. The album is all shook-up soda and manic bravado: warp-speed synth leads and arpeggios, moist columns of bass and angsty singing, skittery four-on-the-floor drums and explosive FX. On nearer inspection, Hollis’ idiosyncratic tackle dance music isn’t all that completely different from his quirky interpolations of entice and drill. At a time when dance music is pop and pop is rap and rap is emo and every part is digital, Hollis’ potential to swerve and synthesize his scatter-brained supply materials into a singular amalgam of genre-blurring music stands out. It’s an thrilling improvement for an artist who could be scratching the floor of his greatest work.